Award-winning artist of The Goon, Eric Powell, pops in for a portrait of Bruce Campbell to wrap around our bloodstained third chapter, in which Campbell’s dead wife returns as a robot who’s more in love with the cab driver hiding inside her husband’s brain than the man himself. Meanwhile in Gyspy Town, the cabbie’s ex-wife stages a mannequin wedding—this is comics as only the greatest madman of B-movies could conceive it.